In my never-ending quest to be even less interesting, I’ve been reading lots of non-fiction lately. There are two reasons for this: First, I feel the need to build a new foundation for future fiction writing, and second, after having completed the final book in Stephen King’s Dark Tower series, all other fiction seems leaden and labored to me right now…including my own.
So, I read a book on the controversy surrounding the Great Pyramid of Giza, where entire cults have sprung up around the concept of “The 9,” the so-called ancient gods and goddesses of Egypt who created us and built the pyramids. The authors of ”The Stargate Conspiracy,” while certainly believers in the occult, didn’t seem convinced of the claims regarding The 9. In fact, they seemed to think it was either a government-sponsored mind-F or the product of some less-than-nice entities preying upon the hope of desperate humans.
Much of the book focused on remote viewing, the ability we all supposedly have to focus on an object and see important aspects of it. For example: Being handed a picture of a missing child without knowing what it is and pinpointing her location. This was a big project in the 1970’s, although it has continued to this day. Some of the former members of Stargate, the remote viewing project, have written memoirs, one of them mentioned in “The Stargate Conspiracy.”
I went to the library to get the book and wound up finding another one written by the actual head of the project. But then something of much more vital and world-shattering interest caught my eye on a nearby shelf: A biography of Stan Lee!!!!!!!!!!!!
So, I read a book on the controversy surrounding the Great Pyramid of Giza, where entire cults have sprung up around the concept of “The 9,” the so-called ancient gods and goddesses of Egypt who created us and built the pyramids. The authors of ”The Stargate Conspiracy,” while certainly believers in the occult, didn’t seem convinced of the claims regarding The 9. In fact, they seemed to think it was either a government-sponsored mind-F or the product of some less-than-nice entities preying upon the hope of desperate humans.
Much of the book focused on remote viewing, the ability we all supposedly have to focus on an object and see important aspects of it. For example: Being handed a picture of a missing child without knowing what it is and pinpointing her location. This was a big project in the 1970’s, although it has continued to this day. Some of the former members of Stargate, the remote viewing project, have written memoirs, one of them mentioned in “The Stargate Conspiracy.”
I went to the library to get the book and wound up finding another one written by the actual head of the project. But then something of much more vital and world-shattering interest caught my eye on a nearby shelf: A biography of Stan Lee!!!!!!!!!!!!
The creator of the Marvel superheroes universe! The man who single-handedly added angst and dimension to the comic book medium! The man behind such world famous characters as Spider-Man, the Hulk and the X-Men!
Right?
Well…kinda. Let’s just say the rumors of his solo greatness have been greatly exaggerated…by Stan Lee himself. And later by Marvel when it became a corporation.
I’d always known it but never wanted to believe it. After all, I grew up in the heyday of Lee’s prominence in the field. I cut my teeth on comic books, Marvel in particular in those days. In fact, Marvel’s comic line was what taught me early on how to approach characterization, since they were so rich in it. I read and re-read giant “treasury edition” collections of comic issues until I’d memorized them and still I read them again.
Stan Lee wrote a column in his issues in those days called “Stan’s Soapbox” where he discussed various issues and shamelessly promoted Marvel. I actually read it whenever I saw it, even at the age of 10. It was a fascinating peek inside the “Marvel bullpen,” a fictitious metaphor for the every-increasing creative force churning out comic after comic.
What Stan’s Soapbox never mentioned, at least not that I ever saw, were the contributions of his co-creators, those people who actually designed and drew the books. In some cases, especially when it came to Jack “the King” Kirby, they often wrote large chunks of the stories. The more I learned about Kirby, the less of a hero Stan became. Kirby alone created Captain America 20 years before Marvel existed, The Hulk, the original X-Men and the Fantastic Four. Another artist, the reclusive Steve Ditko, was at least as responsible for the creation of Spider-Man as Stan.
But Stan “The Man” became the voice and face of Marvel Comics. He still is, despite his lack of direct involvement. The book doesn’t take away from Lee’s greatness; it simply puts it into perspective. It’s about time. At one time I went from deifying to reviling the guy, in particular because of the big split in the early Nineties involving Todd MacFarlane, creator of Spawn, and a host of others as they formed their own creator-owned company, Image Comics. That was a shake-up that temporarily revitalized the industry. Sadly, most of the books sucked and faded within 3 years.
By that time I’d long since defected to DC Comics, the company featuring the most world famous heroes such as Superman, Batman, Wonder Woman and the Flash. DC had reinvented itself in the early Eighties, taking themselves from corny self-parody to gritty, well-written stories aimed at older audiences. Marvel continued to provide juvenile storylines and to employee gimmicks such as holographic covers and multiple book tie-ins.
Stan Lee’s vindication came in the year 2000 when the X-Men movie was released. Then there was that little independent flop known as the Spider-Man trilogy. Oh, and that total bomb Iron Man. Suddenly, Stan Lee is the Man again, showing up in cameos in every Marvel-themed movie being made these days. It is no surprise to me that the movies tend to reflect the early days of Marvel, when Stan Lee & Jack Kirby and Steve Ditko were throwing all their passion into these revolutionary tales of angst-ridden heroes in funny costumes. “Heroes with feet of clay,” as Stan Lee often says.
So now I guess you know what I’m thinkin’: How the h_l do I work remote viewing, ancient Egypt, wacky religious cults, a glory hound comic books into a coherent epic? Impossible, you say? Have we met? We haven’t? Oh, then never mind. It makes sense that you don’t think I can do it, then.
What I need is an anchor, a premise or character or event that grounds the whole thing into some type of surreality (my term) while at the same time not overshadowing the other elements of the story.
There’s only one thing that can accomplish this: Midget porn!!!
Yep. God’s delightful little punch lines. They remain a mystery to this day and the perfect anchor for tales of the unusual. Plus, they can be rather erotic. They’re the perfect height for so much.
Obviously I have my work cut out for me. Fortunately for me, most people grew up reading Marvel comics while following the ancient Egyptian Gods and remote viewing, or I’d have a serious plausibility issue.
I’m so glad I can read now. Trying to write novels back when I couldn’t really sucked ass. So basically everything I wrote prior to Feburary this year needs to be scrapped.
Right?
Well…kinda. Let’s just say the rumors of his solo greatness have been greatly exaggerated…by Stan Lee himself. And later by Marvel when it became a corporation.
I’d always known it but never wanted to believe it. After all, I grew up in the heyday of Lee’s prominence in the field. I cut my teeth on comic books, Marvel in particular in those days. In fact, Marvel’s comic line was what taught me early on how to approach characterization, since they were so rich in it. I read and re-read giant “treasury edition” collections of comic issues until I’d memorized them and still I read them again.
Stan Lee wrote a column in his issues in those days called “Stan’s Soapbox” where he discussed various issues and shamelessly promoted Marvel. I actually read it whenever I saw it, even at the age of 10. It was a fascinating peek inside the “Marvel bullpen,” a fictitious metaphor for the every-increasing creative force churning out comic after comic.
What Stan’s Soapbox never mentioned, at least not that I ever saw, were the contributions of his co-creators, those people who actually designed and drew the books. In some cases, especially when it came to Jack “the King” Kirby, they often wrote large chunks of the stories. The more I learned about Kirby, the less of a hero Stan became. Kirby alone created Captain America 20 years before Marvel existed, The Hulk, the original X-Men and the Fantastic Four. Another artist, the reclusive Steve Ditko, was at least as responsible for the creation of Spider-Man as Stan.
But Stan “The Man” became the voice and face of Marvel Comics. He still is, despite his lack of direct involvement. The book doesn’t take away from Lee’s greatness; it simply puts it into perspective. It’s about time. At one time I went from deifying to reviling the guy, in particular because of the big split in the early Nineties involving Todd MacFarlane, creator of Spawn, and a host of others as they formed their own creator-owned company, Image Comics. That was a shake-up that temporarily revitalized the industry. Sadly, most of the books sucked and faded within 3 years.
By that time I’d long since defected to DC Comics, the company featuring the most world famous heroes such as Superman, Batman, Wonder Woman and the Flash. DC had reinvented itself in the early Eighties, taking themselves from corny self-parody to gritty, well-written stories aimed at older audiences. Marvel continued to provide juvenile storylines and to employee gimmicks such as holographic covers and multiple book tie-ins.
Stan Lee’s vindication came in the year 2000 when the X-Men movie was released. Then there was that little independent flop known as the Spider-Man trilogy. Oh, and that total bomb Iron Man. Suddenly, Stan Lee is the Man again, showing up in cameos in every Marvel-themed movie being made these days. It is no surprise to me that the movies tend to reflect the early days of Marvel, when Stan Lee & Jack Kirby and Steve Ditko were throwing all their passion into these revolutionary tales of angst-ridden heroes in funny costumes. “Heroes with feet of clay,” as Stan Lee often says.
So now I guess you know what I’m thinkin’: How the h_l do I work remote viewing, ancient Egypt, wacky religious cults, a glory hound comic books into a coherent epic? Impossible, you say? Have we met? We haven’t? Oh, then never mind. It makes sense that you don’t think I can do it, then.
What I need is an anchor, a premise or character or event that grounds the whole thing into some type of surreality (my term) while at the same time not overshadowing the other elements of the story.
There’s only one thing that can accomplish this: Midget porn!!!
Yep. God’s delightful little punch lines. They remain a mystery to this day and the perfect anchor for tales of the unusual. Plus, they can be rather erotic. They’re the perfect height for so much.
Obviously I have my work cut out for me. Fortunately for me, most people grew up reading Marvel comics while following the ancient Egyptian Gods and remote viewing, or I’d have a serious plausibility issue.
I’m so glad I can read now. Trying to write novels back when I couldn’t really sucked ass. So basically everything I wrote prior to Feburary this year needs to be scrapped.


