From time to time even one such as I runs out of relevant topics about which to blog. But even worse is when the topics and ideas are there but something blocks me from actually rendering them into something worth reading and commenting on. When that happens, I usually tend to fall back on one of three options: Absurdist posts, Lists, or cowering in a corner, covered in my own excrement and drooling into a rubber tube.
This time I have decided to go with a list, mainly because I haven’t eaten anything today and would find myself hard-pressed to summon anything of a waste-like nature.
Allow me to explain the Genesis of this here list. As music lovers get older, they start throwing things into lists of greatness and not-so-greatness. It is as inevitable as being arrested when you walk through the streets without pants claiming Jesus took them because he didn’t wanna look weird when he goes out on a date. Trust me, no cop in the world is capable of understanding the reasons behind that! Come to think of it, neither were the prisoners in holding.
But this post isn’t about how I am misunderstood. This list is the result of a series of conversations I’ve had with my friend Al, one of a small group of people whose opinions on popular music I respect. I’ve written about this before, but nothing angers me more than know-nothing radio DJ’s that claim to know things about bands only to display their woeful ignorance with comment after comment. DJ’s referring to performers as one-hit wonders because only one song by them gets played anymore despite that same artist having more than one top ten hit in their resume is a pet peeve shared by us both.
However, we don’t always agree. Part of the fun is the fact that we don’t. I mean, it’s not like he’s a woman or anything. They are required to agree with my every word, laugh at my every joke, and sleep with all my angry loner friends, male and female alike.
Lately I have been in revisionist mode, reevaluating the supposed “greatness” of bands from the Eighties and Nineties who, in retrospect, weren’t all that great after all. My list seems to grow on a daily basis, but for your benefit I have narrowed it down to a mere ten:
TOP 10 OVERRATED BANDS OF THE PAST 30 YEARS:
10) THE CLASH- I’m not saying they weren’t a good band. But I tend to think some bands come along at just the right time and reap the benefits of coincidence beyond their talents. At a time when the choices for fans of white music generally ran from underground punk to hard rock to soft pop, the Clash created a niche by infusing reggae into their punk rock approach. Originality doesn’t always equate with greatness, however, and most of their catalog is filled with stunningly underwhelming music.
9) U2- Again, not saying this is a bad band. In fact, they are probably one of the best to come out of the Eighties and their longevity speaks for itself…I suppose. Although I am no fan of the Rolling Stones and they continue to crawl out of their coffins and prance around like trained monkeys. My issue with U2 is that I think they receive credit for things they don’t necessarily do first. Their music is good and all, but much of it is ripped right out of the Simple Minds songbook. You may think Simple Minds if the “Don’t you forget about me” band, but they have been around just as long as U2 and outside the U.S. are recognized for their innovation and musicianship. U2 gets all their credit, thought, and that truly pisses me off.
8) The Sex Pistols- Buncha unkempt youngsters from the UK with tendencies towards violence and rage get together and form some sort of band that consists of guys who hate each other and like to break stuff. Oh, and they are the first to write a song basically telling the Queen to fuck off. There was no greater collection of anarchists in the music world than the Pistols, and that was their downfall. Popularity doesn’t lend itself to self-destructive movements and these guys were no exception to the rule. Closer examination reveals, however, that their music wasn’t much to brag about. Simplistic chords, little skill, and an over-reliance on shock value served only to hasten their demise as a band and given birth to hundreds of candy-ass imitators.
7) THE EAGLES- Did you know these guys are the biggest selling concert band in the United States? WHY!? They are by no means a sucky band, but are they really that good? Is it just because Southerners have no taste and they love rock that comes with a twang and a drawl? Just sayin’! THE EAGLES??? I may not hate them like Jeff Lebowski, but how much of their music can you listen to in one sitting? Not to mention the undeniable fact that most of their work has become a cliché. I have come to believe “Hotel California” is legally required to played at all times on at least one radio station in the State of Michigan.
6) TUPAQ- Rappers in general tend to be overrated simply because there isn’t a whole lot of talent involved in what they do. Talking to a synthesized beat and acting like you’re going to kill everyone in the room isn’t so much a talent as a gimmick. What Tupaq did do in the midst of all the gangsta posturing and misogyny was inject some actual lyricism into the proceedings. I must admit I was pleasantly surprised when I read some of his poetry, but it was diminished by the kind of guy he was. The hood rats might revere him as some kind of black messiah for the streets, but ultimately he was just a thug with a vocabulary.
5) THE POLICE- (Ducking) Sorry, I know these guys have become a sacred cow to current concert-goers, but upon further examination, they weren’t all that. In fact, I’ll go so far as to say the only great thing they did was the Synchronicity album. I suppose if you see greatness in an act based on a handful of catchy tunes, the Police are your band. But it’s a body of work that impresses me, and they simply don’t have it. There were other bands around the same time doing much better work and most of them are now forgotten because they didn’t have Sting as lead-singer. Charisma went a long way in the Eighties, as evidenced by that trip through Hades called “The Stray Cats.” Sting’s solo work from the middle point of his career is often better and more consistent than his material with the Police. Andy Sommers and Stewart Copeland have admitted they were just along for the ride with Synchronicity, which means they added NOTHING and most likely held Sting back.
4) ELTON JOHN- Right below Pants, Cabinetry & Sunsets, this is my most hated enemy. From my memories of having to listen to “Yellow Brick Road” as a child because of my mom to the day EFB and I had one of our worst fights and that awful “Harmony” was playing, Elton John has always been there to kick me when I’m down. I can think of groin pulls that are more pleasant than listening to his horrific voice, and his songs are like bad cabaret tunes from some forgotten sailor wanna hump-hump bar. Some men find greatness and some have it inside them. In John’s case, lover Bernie who wrote all the songs thrust it deep inside him. Not an ounce of worthwhile talent in this annoying, gimmicky flamer. He once had the nerve to criticize David Bowie for modernizing his sound. Bowie’s retort: “At least I don’t make my living off dead blonds.” Ouch! Girls, please!!!
3) PRINCE- Honey, somebody’s strangling the cat! My God, the poor thing is suffering horribly! Hmm? New Prince album? Oh, never mind. This pretentious, pompous, diminutive poser is quite possibly the most over-blown Eighties superstar in music herstory. For the younger folk reading this, you may not realize that at one time Prince was being hailed as the next Jimmi Hendryx. I know! PRINCE!!! That’s like hailing Justin Timberlake as the next John Lennon! All Prince had was an uncanny ability to tap into the l psyche and a talent for musical composition that established a fuller sound than much of the music coming out at that time. Perhaps he was poised on the precipice of genius at one point in the mid-Eighties, but he fell like a pair of cement overshoes dropped over a bridge.
2) NIRVANA- Hello, hello, hello, HELLLOOOooooo? I’ll take this call. Hi, Nirvana, how’s it goin’? Good to hear, good to hear. Listen, I’ve been meaning to tell you this so you might wanna cop a squat and refill that mocha latte and loosen the buttons on that flannel nightie you like to sport. This could take a while. Grunge was quite possibly the biggest blight on the arse of popular music ever devised. Not only was it a warbling, tuneless mess. Not only was it pretentious garbage. Not only was is the self-indulgent whining of over-privileged little b_arse snots. Not only was its undeserved popularity a long-reaching destructive force that quelled any other forms of music. Not only was Kurt Cobain a mere pretender to the throne whose weaknesses as a human being served as bitter reminder of how f_ up the Nineties truly were. Not only…Oh, I guess I said everything I wanted to say. Enjoy the coffee. Nice shirt.
Poser.
1) LED ZEPPELIN- I saved my least favorite “legendary band” for last. I can already hear the grumbling and gasping in reaction to this choice but please bear with me a moment. Or don’t! I really don’t care! To hell with you all! No, I didn’t mean that, I’m sorry. O-o-o-o-o, you don’t have to go LOL!!! This is a band whose popularity both mystifies and amuses me. To me, they always sounded like the tragic collision of two completely different planets. Page’s guitar work, while impressive, does nothing to compliment Plant’s high-pitched screeching and vice versa. It’s almost like watching children pick up musical instruments and start banging on them in the hopes that it all works cohesively. Taken apart, either one of these guys is talented and interesting. Together, I’ve heard cats fuckwith more harmony!
Well, there ya have it. My list. Feel free to eviscerate me now…
Especially you, Rudy, ya sexy summitch, ya!!!
I stand by my list. The only thing that could change it is the arrival of a sideways, shirtless Biblical literalist putting me in my place. Thank Zeus I don’t know any.